Like the great river that flows through Memphis, the music of Lucero keeps rolling on, twisting and turning through the years, the same dark and brooding steadiness always at work.
Since forming in late the ‘90s, this group of Memphis road-dogs has mixed heartfelt lyrics with the sounds of early rock and roll, classic punk, country-folk, and deep-fried Southern soul. It’s a sound that stands on the pillars of American music, born more of feeling than technique, delivered night after night to legions of fans in dive bars and theaters, and on stages as august as Red Rocks Amphitheater and the Ryman. In short, it’s music that is built to last, impervious to trends.
For their tenth studio album, When You Found Me, the band continues its natural evolution, this time tapping into a more atmospheric, widescreen vision (one that wouldn’t seem out of place on a Reagan-era FM dial) while still staying tethered to its roots.
“I wanted a very classic rock sound for this album,” says songwriter and frontman Ben Nichols. “I wanted it to sound like stuff I heard on the radio growing up. I didn’t want to make a retro record at all, but I did want to reference some of those sounds and tones and moods. I think we struck a nice balance between nostalgia and something that still sounds like contemporary Lucero.”
Long-time fans might be surprised to hear the ghostly tinge of a synthesizer on a Lucero record. But the new direction is not as far afield as one might think. Rick Steff, the band’s piano and organ man of ten years, collects vintage synthesizers, so this new sonic twist was a natural detour for him. With these flourishes, Steff helps conjure an aural world of classic tracks with a firm foot in the present. Nichols’s long-time fondness for film soundtracks likely contributed to the album’s feel as well. The band has also recorded music for every movie made by Ben’s brother, acclaimed filmmaker Jeff Nichols, whose credits include Mud, Midnight Special, and Shotgun Stories.
In its time, Lucero has sung many a tune about whiskey, heartbreak, and loss — constant occupational hazards for a rock and roll band. But four years ago, Nichols became a husband and father, a major shift in his life that found its way into his songwriting. Nichols says his daughter Izzy, now four, is the center of his universe and influences everything he does. But Lucero fans need not worry: family life hasn’t turned Nichols into a more sanitized, “Dad rock”-type; if anything, it’s made him more expansive and ambitious with the pen, without sacrificing any of that characteristic raw edge.
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